The following contains spoilers for the first act of “Luca”.
In the first ten years of making feature films, there is a saying that Pixar chose its project around things they wanted to try to animate. Bug Agents Characteristic plants, Monsters, Inc. Has a lot of fur, Finding Nemo Is set underwater.Even later works are about refining techniques and textures, such as the hair and clothes in the movie brave16 years later, Pixar really has nothing to prove, which means that the studio can finally settle down and enter a family style.
Coming this week Disney+, Luca It tells the story of a young sea monster curious about the surface world.If you think it sounds like The little mermaidWell, yes, this is Pixar’s view of that fable. Luca stumbled upon some man-made objects, and then ventured out to surface and found that when he left the surface of the water, he became a human being. This is the similarity with the Disney movie, because Luca meets another marine dweller who loves to breathe the world, and the two of them go to a nearby town to find a Vespa scooter.Considering the prominent position of the brand in our Italian cultural concept, especially the movies of the mid-20th century, such as Roman holiday. If this movie is romantic, it is about what the iconic brand represents: freedom.
This movie is also reminiscent of Hayao Miyazaki’s Ponyo, Which is good, because that is Luca feel like. This is an American-made Ghibli movie, in which the object is acceptance, platonic love, and a deep appreciation of simple happiness, such as a pile of pasta.which one Luca There are many (it’s part of the Zhongxin Festival), absolutely mouth-watering. Luca Demonstrates every skill Pixar has mastered during its four decades of existence. There are realistic food, hair, fabrics, and a lot of water, including ocean and rain forms.
The one thing that still maintains the quality of cartoons is people.At this point, this is more of an aesthetic choice rather than a sign of limited character models. There were similar character models in the company’s early feature films, such as Toy Story with Monsters, Inc. The figures are soft, with rounded edges, painted in more dreamy and soft colors than bright.Pixar has been developing prototype character models Ratatouille, A movie that has repeatedly appeared in movies like last year in the past ten years forward with soul. But those are fantasy movies, with bright, quirky scenes—even soul Divide time between New York and the afterlife.Humans have more screen time Luca, Even if it is a fantasy film.
Luca showcases every skill Pixar has mastered in the four years of its founding.
Although the protagonist is a sea monster, the underwater scene is actually quite ordinary: Luca’s family lives in a cave, and the children watch a group of sheep-like fish all day long.It is based on a way that most Pixar movies don’t have; its closest relatives in Pixar’s stables are Ratatouille, And not just because both took place in a caricatured European country.
Pixar always has a talent for storytelling, and Luca Very touching, but now the studio has improved its craftsmanship, the graphics can be compared with the narrative, and the depth of the color and texture that the movie likes to visualize those emotions Toy Story Can only dream. Pixar’s house style is no longer limited by technology, allowing the movie to finally show their feeling.
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